Week 7

Due Friday, May 22

Read Gauldin Chapter 11: “Introduction to Three-Voice Texture…”

In two of the three examples given in class (see handout <— modified 10:45 pm, Wednesday 5/20), write two independent voices of counterpoint, using a mostly quarter-note texture, to the given lines. Make certain that the two new voices are relatively independent by including mixtures of oblique, parallel, and contrary motion. Use occasional eighth-notes or half notes in order separate the rhythmic motion of one voice from another.  

Create at least 3 “7”, “6/5”, “4/3”, and “4/2” chords in each phrase; you will need to begin with a clear sense of the harmonic possibilities, including secondary dominants. Make sure each line ends with a clear and conclusive cadence. 

Finally, write a third example of 3-part harmony in a similar style, without a given bass note. You may want to draw on, or make an elaboration on, a chord progression from your “baroquized” melody, if you have completed that assignment with a satisfactory sense of harmony.

Comments

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where is the link to the Gauldin chaper?