Statesboro Blues--Blind Willie McTell
Wednesday, October 14, 2009 at 10:48 PM In Blind Willie McTell’s “Statesboro Blues”, a man struggles to forget his troubling past. The style that is used is the Piedmont style. This song starts out slow, and gradually speeds up as the song progresses. The guitar style starts out simple, and then becomes more complicated as the singer’s story unfolds. In the very first line when he says “Wake up Mama, turn your lamp down low” it is almost as if he is whining, and saying it with frustration and sadness. The general emotion that I feel from this song is sadness, and I also get the idea that the singer is failing to escape the memories of the troubling events that have already occurred in his life. It is clear that the deaths of his parents have had a troubling effect on him, when he says “My mother died and left me reckless, my daddy died and left me wild, wild, wild”. During this line, his voice deepens when he says “wild, wild, wild”, which makes the line almost a sad sort of “warning” regarding the effect that his father’s death had on his personality/mindset.
Another important aspect that I noticed in this song was that it seems like the guitar is playing to the singer’s rhythm instead of vice versa. It’s like the guitar is following the singer’s words, and making up its rhythm/style according to the singer’s pace. I know that when reading about songwriting, people often try and match their words to the beat of a song/rhythm, and I definitely see the opposite in this song. The guitar starts off slow, matching the singer perfectly in his introduction to his story. As the singer begins elaborating on his story, the guitar speeds up to match the singer’s pace. I can hear the definite speed change around the line “Sister, tell your Brother, Brother tell your Auntie…”. The speed becomes further noticeable in the last few lines “Sister got ‘em, daddy got ‘em
 Brother got ‘em, friend got ‘em, I got ‘em”, almost like it is building up for the end, with the guitar ending with a nice little melody.

Reader Comments (1)
Hello, students,
As per Ben's instructions, I've divided the posts in this topic into groups. The divisions aren't perfect, but it seems like you would be interesting in discussing the emotional content of these songs.
What is it that makes a song emotional? How can you tell if a song is sad or happy? Can "nonchalant" singing reflect a particular emotion? How does the instrumentation, melody, and tempo affect the feel of a song? Surely it can't just be slow/fast or high/low notes -- there are happy and sad songs that fit all those categories. Try to pin it down with your classmates, and don't be afraid to argue. Just do it respectfully.
The posts I think you should all look at are here:
Otto thinks "Salty Dog" sounds silly, despite the serious lyrical content:
http://benleedscarson.com/charlie-patton-blind-willie/2009/10/11/mississippi-john-hurts-salty-dog.html
Kathryn thinks "Statesboro Blues" is light-hearted, but I hear a lot of pain:
http://benleedscarson.com/charlie-patton-blind-willie/statesboro-blues.html
--Andrew