Joseph Davancens’ QE Exam Resources

Andriessen, Louis (2006). On montage technique. In Apollonian clockwork: On Stravinsky. Amsterdam: Amsterdam University Press, pp 160-164.
 

Brendan P. McConville (2011). Reconnoitering the sonic spectrum of Salvatore Sciarrino in ‘All’aure in una Lontananza’. Tempo, 65, pp 31­-44.

Hasty, Christopher (1984). The problem of succession and continuity in twentieth-century music.  Music Theory Spectrum Vol. 8, pp. 58-74.

Hodges, Nicholas (1995). ‘A volcano viewed from afar’: The Music of Salvatore Sciarrino. In Tempo, New Series, No. 194, Italian Issue, pp 22-24.

Kramer, Jonathan (1986). “Discontinuity and proportion in the music of Stravinsky.” In Jann Pasler, ed. Confronting Stravinsky: Man, Musician, Modernist. Berkeley: University of California Press.

Lachenmann, Helmut (1995). On structuralism. Contemporary Music Review, 12:1, pp 93-102.

Lachenmann, Helmut (2004). Composing in the shadow of Darmstadt. Contemporary Music Review, 23:3-4, pp 43-53.

Lanz, Megan (2010). Silence: exploring Salvatore Sciarrino’s style through l’opera per flauto. UNLV Theses/Dissertations/Professional Papers/Capstones. Paper 730.

Thomas, Gavin (1993). The poetics of extremity: Gavin Thomas introduces the remarkable music of Salvatore Sciarrino. The Musical Times, Vol. 134, No. 1802, pp 193-196.

 

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project backup

 

Andriessen, Louis (2006). On montage technique. In Apollonian clockwork: On Stravinsky. Amsterdam: Amsterdam University Press, pp 160-164.