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<!--Generated by Squarespace Site Server v5.9.1 (http://www.squarespace.com/) on Tue, 09 Feb 2010 12:45:52 GMT--><rss xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><title>Ma Rainey and Bessie Smith</title><link>http://benleedscarson.com/ma-rainey-and-bessie-smith/</link><description></description><lastBuildDate>Fri, 16 Oct 2009 21:01:20 +0000</lastBuildDate><copyright></copyright><language>en-US</language><generator>Squarespace Site Server v5.9.1 (http://www.squarespace.com/)</generator><item><title>Black Eye Blues</title><dc:creator>SarahCohen</dc:creator><pubDate>Fri, 16 Oct 2009 02:41:19 +0000</pubDate><link>http://benleedscarson.com/ma-rainey-and-bessie-smith/black-eye-blues-4.html</link><guid isPermaLink="false">221758:4909917:5499799</guid><description><![CDATA[<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Society&rsquo;s &ldquo;ideological prohibitions required women either to be silent of to engage in a &lsquo;proper&rsquo; way of speaking about [sex]&rdquo; (Davis, 45) but &lsquo;Ma&rsquo; Rainy challenges this in her song &ldquo;Black Eye Blues&rdquo;. Throughout her song &lsquo;Ma&rsquo; Rainy sings of vengeance on a man who abuses her. She acknowledges man&rsquo;s power over women in society without disputing it, but also characterizes herself as an independent woman.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I found that the song contains the form A, A, B , A and the B line is used to catch the listener&rsquo;s attention. Important words to the plot of the song such as &ldquo;beat, mistreat, and low down alligator&rdquo; can be found in the B lines. Her ultimate point can also be found in the final B line when she threatens her subject that she will take vengeance upon him &ldquo;sooner or later&rdquo; and during this point there is also an influx in her voice and her pitch changes. This change reinforces her message and the instrumentals used in the piece change with her. The instrumentals also stop at a certain point to emphasize that the man&rsquo;s wrong doings and bring attention to the fact that he &ldquo;[took] all [her] money, [blackened] both of [her] eyes, [gave] it to another woman, [came] home and [told her] lies&rdquo;. This empty air leaves room for the listener to hear &lsquo;Ma&rsquo; Rainy&rsquo;s lyrics describing her troubles as a woman in the late 19<sup>th</sup> century.</p>
<p>Sarah Cohen</p>
&nbsp;
]]></description><wfw:commentRss>http://benleedscarson.com/ma-rainey-and-bessie-smith/rss-comments-entry-5499799.xml</wfw:commentRss></item><item><title>Ma Rainey - Dream Blues</title><dc:creator>TimothyTong</dc:creator><pubDate>Fri, 16 Oct 2009 01:37:59 +0000</pubDate><link>http://benleedscarson.com/ma-rainey-and-bessie-smith/ma-rainey-dream-blues-1.html</link><guid isPermaLink="false">221758:4909917:5499514</guid><description><![CDATA[<p>Ma Rainey&rsquo;s &ldquo;Dream Blues&rdquo; begins with a quick and simple banjo riff that continues throughout the song by itself.&nbsp; Ma Rainey comes into the song with a delicate yet desperate tone.&nbsp; Her lyrics depict a recurring dream that she has been experiencing night after night.&nbsp; She explains how the men in her life treat her badly and she can&rsquo;t take it anymore.&nbsp; She cries out to God asking him how to handle her situation but she eventually states that she has given up by saying &ldquo;mama don&rsquo;t mind dying&rdquo;.&nbsp; <br /><br />The first verse where she sings &ldquo;Had a dream last night&#8230;and the night before&rdquo; is slightly higher pitch the first time around.&nbsp; This change in pitch enhances the feeling of sadness that she is experiencing being mistreated.&nbsp; The song form is A A B because the second verse is repeated and then the 3rd verse acts as the &ldquo;punchline&rdquo;.&nbsp; In addition the feeling of the song begins a little unstable but gradually intensifies with Ma Rainey&rsquo;s increased emotion.&nbsp;&nbsp; <br /><br /></p>
]]></description><wfw:commentRss>http://benleedscarson.com/ma-rainey-and-bessie-smith/rss-comments-entry-5499514.xml</wfw:commentRss></item><item><title>Prove It On Me Blues</title><dc:creator>LoganAnderson</dc:creator><pubDate>Thu, 15 Oct 2009 20:14:14 +0000</pubDate><link>http://benleedscarson.com/ma-rainey-and-bessie-smith/prove-it-on-me-blues-2.html</link><guid isPermaLink="false">221758:4909917:5496921</guid><description><![CDATA[<p>The song &ldquo;Prove It On Me Blues&rdquo; by Ma Rainey has the obvious aspects of a blues song as well as a level of uniqueness, which surprised me while listening. The first three lines seem to follow the typical AAB 12 bar blues form, but after that the song breaks off and begins what sounds like an ABAB structure that carries through until the end. This change seems to make the song different from others. One aspect of the accompaniment was very interesting and sounded almost like someone was spitting into a microphone on each count starting after the first refrain.&nbsp; Following regular blues form the melody was very upbeat and almost happy sounding while the lyrics were depressing.&nbsp; Blue notes were prevalent throughout.</p>
<p>&nbsp;</p>
<p>The lyrical makeup of the song was what really surprised me. At fist glance I assumed to song was about her preference of women over men and maybe even her lesbianism. She talks about dressing in men&rsquo;s clothing, being with one woman, and that she wants the whole world to know what she&rsquo;s doing. However I find it hard to believe the topic was being discussed in 1924 when even in 2009 the gay and lesbian community face extreme scrutiny. This point along with the melodic makeup of &ldquo;Prove It On Me Blues&rdquo; makes it a very entertaining song to listen to.&nbsp;</p>
]]></description><wfw:commentRss>http://benleedscarson.com/ma-rainey-and-bessie-smith/rss-comments-entry-5496921.xml</wfw:commentRss></item><item><title>Ma Rainey's Wringing and Twisting Blues</title><dc:creator>MelissaStoll</dc:creator><pubDate>Thu, 15 Oct 2009 18:44:21 +0000</pubDate><link>http://benleedscarson.com/ma-rainey-and-bessie-smith/ma-raineys-wringing-and-twisting-blues.html</link><guid isPermaLink="false">221758:4909917:5496428</guid><description><![CDATA[<p>In the song <em>Wringing and Twisting Blues</em> by Ma Rainey her despair and violence is laced throughout the lyrics, melody, and accompaniment. Another woman stole her man away and her grief turns to anger and a lust for revenge. The sorrowful pitch and slow rhythm reflect the hurt that she has experienced. The shape of the song builds on her wanting to get even. The lyrics portray these strong emotions,</p>
<p>&ldquo;But if I know that woman that caused my heart to moan</p>
<p align="center">I&rsquo;d cook a special dinner, invite her to my home</p>
<p align="center">&hellip;&hellip;&hellip;&hellip;&hellip;&hellip;&hellip;&hellip;&hellip;&hellip;&hellip;&hellip;&hellip;&hellip;&hellip;&hellip;&hellip;.&hellip;&hellip;&hellip;</p>
<p align="center">If she eats on my table, she will be graveyard bound</p>
<p align="center">I&rsquo;ll be right there to tell her, when they put her in the ground</p>
<p align="center">You&rsquo;re the cause of me having those wringin&rsquo; and a-twistin&rsquo; blues.&rsquo;&rdquo;</p>
<p>&nbsp;</p>
<p>The melody has a distinct blue note that sums up her loss. The accompaniment has a wonderful texture with the chords and notes that in all produce a longing rhythm. This song demonstrates the relationship between men and women, but especially women and women. Her love had another woman on the side and her first reaction is not to blame her man, it is to get revenge on the woman who stole him away. It exemplifies the violence and competition between women.&nbsp; The relationship between the man and woman is that he is not responsible the other woman is, allowing him to get off easy because it is only the women&rsquo;s fault. This song demonstrates perfectly the anguish and hatred that this woman experienced. Ma Rainey exemplifies all the defining characteristics of the blues through this song.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>Melissa Stoll</p>
<p>&nbsp;</p>
<p align="center">&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</p>
]]></description><wfw:commentRss>http://benleedscarson.com/ma-rainey-and-bessie-smith/rss-comments-entry-5496428.xml</wfw:commentRss></item><item><title>St Louis Blues</title><dc:creator>Norman Lopez</dc:creator><pubDate>Thu, 15 Oct 2009 11:00:12 +0000</pubDate><link>http://benleedscarson.com/ma-rainey-and-bessie-smith/st-louis-blues-2.html</link><guid isPermaLink="false">221758:4909917:5493710</guid><description><![CDATA[<p>As mentioned in <em>Mama&rsquo;s Got the Blues,</em> recurring themes in women&rsquo;s blues music had to do with problems with male lovers in heterosexual relationships. In Billie Holiday&rsquo;s recording &ldquo;St. Louis Blues,&rdquo; she sings a solemn tone about problems she is having with the man she loves. She discusses that the man leaves her for a wealthy woman with a diamond ring, powder make-up and store-bought hair, which enflames her jealousy of this St Louis woman. The feelings she has of knowing he leaves for the wealthy woman pushes her to contemplate leaving. But this somber scenario continues for four verses then suddenly the instruments play an upbeat tone in which she sings the last verse with a different kind of attitude towards the man. She ends the song with a verse expressing &ldquo;I love my man &lsquo;till the day I die.&rdquo; I think this song was a great example of a common theme for the blues and the strong emotions that played a role in many of women&rsquo;s lives and their relationships.</p>
<p>I chose &#8220;St. Louis Blues&#8221; because I feel that it was a great example of a common theme in its time. The strong emotions and the lifestyles of the middle class tied together with love and relationships. This song allowed for Billie Holiday to express herself and affirm the dominant middle-class ideology.</p>
]]></description><wfw:commentRss>http://benleedscarson.com/ma-rainey-and-bessie-smith/rss-comments-entry-5493710.xml</wfw:commentRss></item><item><title>Girls Kissing Girls- "Oh My!"</title><dc:creator>MontoyaRobinson</dc:creator><pubDate>Thu, 15 Oct 2009 09:36:03 +0000</pubDate><link>http://benleedscarson.com/ma-rainey-and-bessie-smith/girls-kissing-girls-oh-my.html</link><guid isPermaLink="false">221758:4909917:5492914</guid><description><![CDATA[<p>&ldquo;Prove It On Me Blues&rdquo; is the story of a woman who is in conflict with her female interest. Various instances of the song imply us to the idea that queer relationships existed in the time period of 1923-1924 in which the song was recorded. This however maybe surprising to some considering that these are topics rarely discussed when it comes to &ldquo;American History.&rdquo; Sexual orientation between same sex beings has recently become &ldquo;appropriate&rdquo; to discuss openly over the dinner table. As argued by Davis, &ldquo;the blues was a privileged site in which women were free to assert themselves publicly as sexual beings.&rdquo; Not only did the blues provide a free space for African American women to speak about personal sexual encounters but it served as a platform to challenged ideas around gender roles.</p>
<p>Rainey&rsquo;s lyrics are powerful in that she is not afraid to voice that she is a powerful woman that can tend to a female just as a male can and is unashamed about. She even boasts about the way she talks to females &ldquo;just like any old man.&rdquo; Her tone in this lyric is one of a &ldquo;hahahaha bet you didn&rsquo;t know I could do that?!&rdquo;&nbsp; Rainey is almost daring someone to say something to her about it or questions her actions in her decision to play the role of what is normally understood to be the role of the male species.&nbsp; The comfort level that Rainey has with speaking on this topic is very present in her tone of voice while singing it as well as in her lyrics. What makes the song stronger however is the lack of male presence in the song. Not one time in the song are we introduced to male character that has any say so or welcomed opinion about the main woman&rsquo;s involvement with someone of her same sex.</p>
<p>Though Rainey&rsquo;s attitude about may seem a bit bold, a few of today&rsquo;s contemporary artist can be found speaking on the same exact topics however in a more or less welcoming setting. Female artist such as rapper Nicki Minaj openly speak about there sexuality just as Rainey did with lyrics like, &ldquo;<span style="color: #262626;">She so fuckin fine that I touched her up again, told her last time she can bring her other friend,&rdquo; from &ldquo;Girls Kissing Girls&rdquo; by Nicki Minaj.</span> &nbsp;In contrast, however, lesbian relationships seem to be hyper sexualized, by male artist and other matriarchal controlled media. Many male perspective songs and other forms of media serve as a tool toward this hyper-sexualization by inviting themselves and creating what is called a m&eacute;nage &agrave; trios, or threesome. For example, in Lil Wayne&rsquo;s recent song &ldquo;Every Girl&rdquo; featuring Drake, the line &ldquo;are any of ya&rsquo;ll into girls, lesbiahonest (let&rsquo;s be honest),&rdquo; almost takes away the ownership lesbian women should have over their identity. In comparison however I like to think that despite time differences and generation gaps that both Minaj and Rainey were just requesting acceptance of loving whomever they desire to love.&nbsp;</p>
]]></description><wfw:commentRss>http://benleedscarson.com/ma-rainey-and-bessie-smith/rss-comments-entry-5492914.xml</wfw:commentRss></item><item><title>"St. Louis Blues," Billie Holiday</title><dc:creator>KristinaSheehan</dc:creator><pubDate>Thu, 15 Oct 2009 08:58:41 +0000</pubDate><link>http://benleedscarson.com/ma-rainey-and-bessie-smith/st-louis-blues-billie-holiday-3.html</link><guid isPermaLink="false">221758:4909917:5492832</guid><description><![CDATA[<p>Billie Holiday&#8217;s recording is very moving in regards to the melody produced by the horn and the piano.&nbsp; She changes her pitch to express emotion throughout the song.&nbsp; From the lyrics, it seems that she had a man but other factors played into their relationship. He left her for other ventures, but she&#8217;ll love him until the day she dies because he is what she fancies.&nbsp; As we mentioned in lecture, Holiday follows the flexible use of pitch as did early African-American music in the 19<sup>th</sup> century.</p>
<p>The first verse seems to be A A&#8217; A, and she uses her voice to introduce the listener to the overview of her situation.&nbsp; The second verse, B B B, explains to us that she isn&#8217;t happy with what is going on and knows that tomorrow will be just like today is, sad.&nbsp; The third verse, A A B C, she gets a higher pitch to show emotion towards the other woman that her man has left her for; also, she changes her pitch between the double &#8220;nowhere&#8221;. The fourth verse, B B B, she emphasizes St. Louis and then keeps the same level pitch throughout the rest of the verse.</p>
]]></description><wfw:commentRss>http://benleedscarson.com/ma-rainey-and-bessie-smith/rss-comments-entry-5492832.xml</wfw:commentRss></item><item><title>“Dream Blues”</title><dc:creator>Dominique Lusser</dc:creator><pubDate>Thu, 15 Oct 2009 06:57:38 +0000</pubDate><link>http://benleedscarson.com/ma-rainey-and-bessie-smith/dream-blues-4.html</link><guid isPermaLink="false">221758:4909917:5492603</guid><description><![CDATA[<p>Ma Rainey&rsquo;s performance of &ldquo;Dream Blues&rdquo; paints a picture of sorrow and hopelessness. It starts off with a banjo strumming a sad tune. In the beginning she sings about how she &lsquo;had a dream last night and the night before&rsquo; her words sound drawn out and tired. She makes her audience feel what she is feeling through her singing. It&rsquo;s like she is actually talking to you personally about her problems. Nothing is held back in her performance.</p>
<p>The recurring theme is men in her life who treat her badly. It is shown through the gloomy tone of her voice. The sad tone carries through the rest of the piece. In the last stanza of the song her singing gets louder and it is almost as if she is crying out. The form is &lsquo;ABABA&rsquo;, it keeps a constant beat to the song almost like a question and response. You can hear the melody build up and drop at the end of each phrase giving the song more of a blues feeling. Something else I noticed is the banjo or string instrument in the background is not very loud. All attention is on the message Ma Rainey is trying to get out to her audience.</p>
]]></description><wfw:commentRss>http://benleedscarson.com/ma-rainey-and-bessie-smith/rss-comments-entry-5492603.xml</wfw:commentRss></item><item><title>Dream Blues Ma Rainey</title><dc:creator>EvelyLee</dc:creator><pubDate>Thu, 15 Oct 2009 06:56:52 +0000</pubDate><link>http://benleedscarson.com/ma-rainey-and-bessie-smith/dream-blues-ma-rainey.html</link><guid isPermaLink="false">221758:4909917:5492589</guid><description><![CDATA[<p>The song I choose to analyze is &ldquo;Dream Blues&rdquo; by Ma Rainey from the Pre-war City Blues. The first thing that attracted me to this song is the melody and the meaning behind the lyrics. I am still not truly able to decipher the lyrics and am very interested in what other people in the class have come up with. My first initial thought of this song was that it does sound very depressing and I instantly noticed a string instrument in the background (maybe a banjo). She seems to be singing about her worries and whether or not her life is a dream or if it is reality. What I got from the lyrics is that she feels mistreatment from men from different parts of her life and does wish that it is a dream that she could wake up from so that it will be all over.</p>
<p>Musically, we have learned that blues has an AA&rsquo;B format. To me this song stays true to the format and is very apparent in the first verse. I do feel that the song doesn&rsquo;t change much in melody, but the way Ma Rainey sings it shows deeper emotion as the song progresses. The melody or tune of the song matches perfectly to the lyrics.</p>
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]]></description><wfw:commentRss>http://benleedscarson.com/ma-rainey-and-bessie-smith/rss-comments-entry-5492589.xml</wfw:commentRss></item><item><title>"Black Eye Blues"</title><dc:creator>MelanieHang</dc:creator><pubDate>Thu, 15 Oct 2009 06:44:15 +0000</pubDate><link>http://benleedscarson.com/ma-rainey-and-bessie-smith/black-eye-blues-2.html</link><guid isPermaLink="false">221758:4909917:5492575</guid><description><![CDATA[<p>The blues granted black women the chance to defend themselves not only among a prevailing white culture, but also among males in their respective communities (65). Gertrude &ldquo;Ma&rdquo; Rainey&rsquo;s &ldquo;Black Eye Blues&rdquo; is one of the many blues songs of this time that thoroughly demonstrated an important point made in Angela Davis&rsquo; article stating that &ldquo;blues was an aesthetic evidence of freedom&rdquo; (45). In the song, Rainey tells a story about a woman named Nancy Ann that has been repeatedly abused physically and emotionally by her man. However, despite this dilemma, she manages to rise above and refuse defeat declaring to her man, &ldquo;gonna catch you with your britches down.&rdquo; Nancy Ann&rsquo;s outspoken character exemplified the autonomous nature arising in women at this time, as well as the need to share life experiences in order to show other women how to carry out their lives (53).</p>
<p>The song models the standard ABAB format, followed by a chorus. What was interesting to find was that although the song apparently addresses the sensitive issues of relationships through its lyrics, the upbeat nature of its melody does not necessarily fit. While one would assume the song to have a more somber melody because of the immoral actions expressed in the lyrics, this fact is somewhat masked behind the cheerful melody accompanying it.</p>
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