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Monday
Oct282013

Book Chapters Within Fair-Use Limits

Bregman, Albert (1993). Auditory Scene Analysis: hearing in complex environments. In McAdams, S. & Bigand, E. (eds.) Thinking in Sound: The Cognitive Psychology of Human Audition. Oxford: Oxford University Press, 10-36.

Huron, D. (2003). “Is music and evolutionary adaptation?” In I. Peretz & R. J. Zatorre (Eds.), The Cognitive Neuroscience of Music. New York: Oxford University Press, 57-75.

McAdams, S., and Matzkin, D. (2003). “The roots of musical variation in perceptional similarity and invariance.” In I. Peretz & R. J. Zatorre (Eds.), The Cognitive Neuroscience of Music. New York: Oxford University Press, 76-94.

Tan, S., Pfordresher, P., & Harré, R. (2010). “Chapter 5: Perception of Musical Pitch and Melody.” In Psychology of Music: From Sound to Significance. New York: Taylor & Francis, 73-94. 

 

 

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